Friday, 21 March 2014

Lets move to Belgium (or maybe not?!?)


Rik Torfs, rector of the University of Leuven, and Jogchum Vrielink, coordinator of the Centre for Discrimination Law at the University of Leuven, pass along a guest post — quoted below — about a new Belgian law that provides (Vrielink’s translation):


Penalization of Sexism

For the purposes of this Act, the concept of sexism will be understood to mean any gesture or act that, in the circumstances of Article 444 of the Penal Code,* is evidently intended to express contempt for a person because of his gender, or that regards them as inferior, or reduces them to their sexual dimension, and which has the effect of violating someone’s dignity.

Anyone found guilty of [such conduct] will be punished with a prison sentence of one month to one year, and a fine …, or one of these penalties alone….

* The relevant part of Article 444 Belgian Penal Code refers to the following circumstances/contexts in which the speech/conduct is required to take place:

“Either in public meetings or places;

Or in the presence of several people, in a place that is not public but accessible to a number of people who are entitled to meet or visit there;

Or in any place in the presence of the offended person and in front of witnesses;


Or through documents, printed or otherwise, illustrations or symbols that have been displayed, distributed, sold, offered for sale, or publicly exhibited;

Or finally by documents that have not been made public but which have been sent or communicated to several people.”

Vrielink reports that the law will indeed cover not just face-to-face insults, but also things said about people in print or in other forms of mass communications. Thus, I infer, it would be a crime to publish newspaper articles or blog posts that say a politician, journalist, criminal, or whoever else is inferior because of his or her gender, or intentionally show contempt for the person because of his or her gender, or “reduce them to their sexual dimension,” and which has the effect of violating someone’s dignity.

Moreover, this might apply not just to statements about particular people, but also to statements about men or women generally — e.g., that men or women are biologically (or even just as a matter of current cultural reality) inferior to the other sex in some ways — or about particular subgroups of men or women. Vrielink writes (paragraph break added):


[T]he government is now claiming that the bill does not intend to ban such abstract, impersonal expressions. However, the text is highly ambiguous in this regard, and moreover the problem is that traditionally, in Belgian criminal law, if speech is meant to be illegal only if it targets specific individuals, the legislator makes it into a type of crime that can only be prosecuted in case there is a complaint by the individual victim that was targeted (this is the case for stalking; insults; and slander, for instance). Here, the government has explicitly refused to do this (despite requests to do so by the opposition).

More importantly, what we see with similarly worded criminal provisions is that Belgian courts tend to apply these to ‘generic’ comments about entire groups as well, as long as there potentially is a ‘person’ that might feel insulted, demeaned, etc. by such speech (which, of course, will virtually always be the case), even if he or she is not at all personally targeted by that speech.

This strikes me as a very bad idea, whether limited to public commentary about a particular person or applied to cover commentary about an entire sex, as well. (One-to-one insults are a more complicated matter; I’ve argued before that certain more viewpoint-neutral restrictions on unwanted one-to-one speech should be constitutional even under American law. But this law is not at all limited to such one-to-one insults.)

In any event, here’s the Torfs & Vrielink guest post, setting forth the problem in their own words:


Belgium Bans Sexism: The Return of the Index Librorum Prohibitorum

Soon, it could be a criminal matter to call someone a ‘sexist’ in Belgium. Even if someone may in fact be one. Why, you ask? Because the country’s political majority is determined to enact a new law. In what is believed to be the first legislation of its type, anywhere, the concept of sexism will be rendered punishable.

A logical side effect of making sexism illegal is that the simple act of accusingsomeone of being sexist, may amount to criminal defamation. Under Belgian law, as in many other legal systems, it is an offense to accuse someone of having committed crimes that they were not actually convicted for. Law is often a double-edged sword.

In addition to this, the bill is superfluous and it poses major risks to free speech.

Superfluous and vague

But first things first: what got the legislative ball rolling was a documentary called Femme de la Rue by (then) film student Sofie Peeters, focusing on the problem of sexual harassment in Brussels. The film, shot in part with hidden cameras, provided a shocking account of everyday sexism and sexual intimidation in the streets of the Belgian capital: continuous cat-calls and wolf-whistles, alternated with jeers of ‘whore!’ (pute), ‘slut!’ (salope) and ‘how much?!’

Peeters’ film understandably struck a sensitive chord, triggering widespread public debate. Several politicians vowed to act on the issue. The current bill should be seen against this background.

However, while no one disputes that sexist street harassment must be dealt with effectively, the existing legal means already offer the Belgian authorities the opportunity to do so. The prohibitions on insults, stalking, harassment, and public nuisance can all be employed to tackle this issue. In other words, the problem is not the legislation per se, but a failure to enforce it.

Investing in enforcement is costly though. Therefore, politicians, faced with public uproar, are more likely to seek a headlines-worthy ‘Miracle Law’, with the promise it alone can and will eradicate the problem once and for all.

Regrettably, the only thing the current bill will eradicate is free speech. Its text is drafted so vaguely that it makes the interpretative options of oracles appear limited by comparison.

The bill defines ‘sexism’ as any gesture or action “intended to express contempt” regarding someone because of their sex, or “to regard a person as inferior”, or to “reduce someone to his or her sexual dimension”. Additionally, a “violation of someone’s dignity” is required.

The explanatory memorandum to the bill states that this definition has “the advantage of including a range of facts that are not covered by pre-existing criminal provisions”. That is undoubtedly the case: the censoring capabilities of the proposed law are unprecedented.

Pan-sexism

To begin with, several religions will come within the crosshairs of the ban. Do many faiths not deny gender equality in the name of patriarchal authority and divine revelation?

The law also has the potential to decimate the shelves of bookstores and libraries: we are heading for a new Index Librorum Prohibitorum. Countless books could give rise to prosecution, and we need not only think of usual suspects like E.L. James and Stephenie Meyer. Virtually every romantic airport novel is essentially made up of sexist stereotypes.

And what about rappers whose lyrics routinely refer to women as ‘bitches’, and whose video-clips feature scantily clad women that are “reduced to their sexual dimension”? (Be sure, in any case, to remove Serge Gainsbourg from your party playlist before any of your friends has you reported.)

On the other side of the debate, it is important to point out that feminist action groups would be forbidden to depict men in an unfavorable, ‘reductionist’, light as well. Combined with the aforementioned fact that they will be prohibited from calling men ‘sexists’, their new motto will have to be ‘just sit there and look pretty’; backed up with the threat of criminal prosecution.

Arbitrary and discriminatory

Proponents will of course counter that it will not be as bad as this in practice, and that the bill was not designed to these ends. But that is precisely the problem: the current bill does render it possible to prosecute virtually anyone, whenever someone feels like it. Therefore, it will at the very least result in arbitrary rule and an unacceptable degree of legal uncertainty.

Matters of criminal law require legislators to define prohibitions as precisely as possible in order to both permit citizens to regulate their conduct with certainty, and to protect them from the abuse of state power. To say that the bill leaves something to be desired in this department is as much of an understatement as saying that Genghis Khan was involved in some minor mischief.

It is also striking that there is no similar protection in Belgian law for any other characteristic or ‘ism’. Even racism is not in itself punishable as a concept. Only specific manifestations of it are prohibited, such as incitement to racial hatred and violence. An identical provision already exists for sex and gender though.

As such, the new law will introduce a form of preferential protection against sexist speech only. Aside from this being discriminatory, this situation is unlikely to last for very long. No doubt, other groups will soon demand that their protection be raised to the same level.

The problem is that Belgian discrimination law covers no less than twenty criteria, effectively ruling out the ‘flight forward’ as an option. Or rather, in that case it would be much more practical if the government were simply to provide us with a short list of what we can still say to each other….
I got very excited about this when I saw this in the news and started packing but once I researched it more I was pretty disappointed. The legislation starts out well particularly with the part against reducing people to their sexual parts. In terms of sexual objectification this is great, because they are really taking it seriously about how damaging it can be to self worth. I think it is pretty great that being sexist can land you in prison in theory in Belgium. I also think it is pretty amazing that all this was bought into fruition by a documentary made by a film student because it really shows the power of visual media for bringing about change. It also shows how just like the harassment paste ups by Tatyana Fazlalizadeh, men do not like seeing the reality of sexism everyday and this is great if it inspires change. 
However the consensus of this new law is that it is too vague and ambiguous, resulting in either too little change or too much. Too little in terms that it will be hard to pin people down under it's vague terms or will greatly eradicate free speech. Only time will tell but I feel it will be something that will hit the headlines and then fade into oblivion while the politicians have paid lip service to the public outrage. This is the first law of it's kind and so it is important because it shows that sexual objectification is finally being taking seriously and being discussed more and more.  Maybe Belgium doesn't have the answer but at least they are asking the question.

http://www.washingtonpost.com/news/volokh-conspiracy/wp/2014/03/21/belgium-bans-a-wide-range-of-sexist-speech/

Sunday, 16 March 2014

Plumb - Caleb Wood


This is the product of Caleb Wood being asked to create an animation for Prove Gallery in Duluth, Minnesota. However instead of creating a short animated film, Caleb drew this 'stream of consciousness' animation straight on to the studio walls. I think this shows Wood's sense of humour, as an animator he gives the viewers a still image, it is the viewer that has to animate it by moving downwards. By doing this he is uniquely involving the viewer in the creation of the animation, I think he may be trying to explore the relationship between artist and viewer, without an audience to interpret the work, art would cease to have meaning. Although they share this mutual need for one another, so often is work misinterpreted, an artist will produce work impassioned with one idea but a viewer may interpret it completely differently. This contradiction in the relationship between artist and viewer is interesting and beautiful because it leads to expanding ideas and new thoughts. I think this idea communicates well through the audience being an integral part of the artistic process, it allows them to have ultimate control; they could start anywhere they liked or they could 'watch' it backwards. Including the viewers in this way also leads to more expansion of the drawn ideas and freer interpretation.
Caleb Wood describes it as a 'continuous vertical freehand digression' and the word 'digression' interests me the most. The idea that something is coming away from the original meaning, the lines and shapes morph and pull away from each other but interestingly it starts and ends with the same shape, two crossed lines. But between those two same shapes, it changes through a multitude of variations; fish, feathers, monsters, hearts, smileys, bird. The transformations seem random and are only connected by their continual falling movement. Watching the film is mesmerising but also quite disorientating because if you stare for too long you feel like your falling with the shape. This feeling makes me think of dreams where you are falling which can be scary but also feel liberating. This dreamlike feeling is further developed with the transformations, the character has this magic quality of changing forms just like in dreams where fantastical changes and impossibilities are accepted easily. When we are awake we think too realistically which sometimes stumps creative development, but in dreams nothing feels implausible. I think Wood is trying to explore this idea by showing how much variation can be created between two crosses when we trust in our innate inhibited creativity.




His tumblr is pretty cool too:


Friday, 14 March 2014

Hikaru Cho - My Body My Rights

This work by Hikaru Cho is part of an Amnesty International Campaign called 'My Body, My Rights,' which is a really interesting campaign encouraging people to know their rights and take back control over their body. This is very coincidental that this is basically hat my project is about! The artist creates all effects using makeup and face paint and they are really incredible.
In this one the woman is cracking an egg like doll face to reveal herself underneath. I think the artist is trying to show how woman are often seen as objects, who can be passed around and are uncapable of acting themselves and like dolls, can only be acted upon. This idea can be seen in many different strengths through all societies, from extremes such as rape and forced marriages, to the other end of the spectrum of sexual objectification of the female form. All of these things are part of the same imposed social order that places women below men with less control over their bodies. As a campaign I think this image is effective as the cracked pieces are striking because they are realistic. It also works well because the doll skin colour looks creepily plastic compared to her real tone below, and this must make people think about the effect of wearing make up has on women. Everyday using a substance to cover all the parts of you that society (a male dominated society) has deemed unbeautiful. 

I think this is my favourite though as I think it reads really well as it is such a simple idea. A woman stands holding a key to the lock on her body, simply showing a woman should be the only one to control her body. The placement of the lock is important as it is over where a baby would lie in the gestation period, therefore calling for prochoice in the abortion debate. However it could be more widely interpreted that the whole of a woman's body is hers to reveal herself or not, but it is her choice. 

The right for contraception for women is another important issue, as women ultimately bear the consequences of unprotected sex and it should be her choice as to whether she has a child or not. Cho has represented this basic right by showing the pill as an integral part of her being. Contraceptives should be a natural part of every woman's life if that is her choice. The illusion of the cut is so expertly done, it really is hard to discern her arm.


http://www.independent.co.uk/arts-entertainment/art/features/hikaru-cho-paints-models-for-amnesty-internationals-my-body-my-rights-campaign-9173594.html

Thursday, 13 March 2014

Lammily - The New Barbie?


The Lammily is a new doll on the market which is based on the average body proportions of a 19 year old woman and is sold with the buy line, 'Average is Beautiful.'
Just in that one sentence there are a hundred things that annoy me. First just the name annoys me, Nickolay Lamm, Lammily is a terrible name, I know you want to single handedly change girls perceptions of beauty but it is sickening how forcibly you shoehorned your name into it's frontrunner. Next is the 'Average is Beautiful' as if there actually is an average body type, I am not even talking about weight, but even between races there is such a variety in shape and size and skin colour. THERE IS NO AVERAGE. You cannot categorise people like that, so saying that fit, tall, caucasion, white girl is average is very damaging. Lamm does plan to expand to creating Lammily's of different ethnicities but the line's idea of average further damages girls perception of beauty. The thing that annoys me the most is the video in which Lamm talks about his creation, it just irks me that another man is defining what is and what is not beautiful for women. Surely a greater use of time and money would not be making realistic dolls to fit every shape and size but teaching women and men that a woman should define her own standards of beauty. Often girls are more familiar with their barbies than with their own bodies, we are brought up waiting to be told we are beautiful, but we should grow up declaring that.
Don't get me wrong, I am pleased that there is some attempt to crush the Barbie Empire as I do think Barbie does skew a girl's perception of beauty indelibly. However at least Barbie doesn't pretend, it unashamedly defies realistic body proportions and over sexualises. 
So I don't really know how I feel about this overall, I think if any more dolls are going to be created I want it to be woman at the design helm. 



http://time.com/12786/the-new-barbie-meet-the-doll-with-an-average-womans-proportions/

https://www.lammily.com/average-is-beautiful

http://www.kansascity.com/2014/03/07/4873034/barbie-isnt-normal-but-neither.html

Tuesday, 11 March 2014

Anna Ginsburg aka my current favourite animator


This film After Moby's combination of stop motion animation and live footage is really interesting, sometimes using live footage like stop motion, reversing and cutting frames. This creates a really interesting effect where it seems nearly impossible to see where the two techniques meet and therefore what is real and what was created. The film is quite abstract showing two characters, however the film does not present them as characters of action, but explores who they are through makeup, costume and lighting. The film is about representing who they are through imagery not through scripted action. This is a really cool idea, the actors become more like illustrations, they cannot explain themselves, only the creator has the power the move and manipulate them to reveal themselves. I like this as it makes the viewer work harder and leads to more interpretation. For example one character is very much of the dark and enclosed, and the other light in every way; dressed in a billowy dress in a expansive hall. One seemingly confined, the other free, I think she is representing in the inner and outer self, both move together and interact, shown by the black lips painted in the same way and flickering between the two, but one is looking inward, the other out.



As well as animating the expanding and diminishing black paint, the girls white collar is also moved between frames. This is a brilliant idea as it makes the cloak seem like a living part of her and thus helps to further show who this character is. The white cloak, could represent her purity or that lightness of spirit shown in the delicate way she handles the butterfly in the end.


This editing is really inspiring, as she uses stop motion animation but blends it together with previous frames to make it look like layered film footage. I think this further shows that this character is hard to define and intangible. It also further blurs the lines between reality and stop motion 'magic' to create this surreal world.









I really love this sequence that is trying to represent how it feels to live with depression. The imagery is fabulous, of this brain dripping into a black pool which eventually sucks in the rest of the body. The blue is very well chosen, blue always have connotations with sadness, but this particular shade makes me think of deep space and deep sea, furthering this idea of being dragged into an abyss. The illustration around the head is really interesting as well, the blue swirls and storms but is always contained by a clean blue line. This reads really clearly that you can feel so much inside and just because it doesn't show on the outside, doesn't mean that you are not struggling with something real.


This one just makes me smile, so I thought I would share it


Monday, 10 March 2014

Bombay Bicycle Club- Carry Me Music Video directed by Ste Thompson, Drew Robinson & James Swindwells

When I started editing individual frames by hand, I remembered this music video from Bombay Bicycle Club. It is a really interesting video as it seems like stop motion with photographs as it has that beautiful flickering effect. The directors really have had fun with this method cutting and reversing frames, making the actors pull about like puppets on her string. The music video has a really professional and polished finish and I think this is due to the well thought out colour scheme, all drawn edits are in white and this stands out well and compliments the aqua background. Even though the illustrators change throughout the video there is a coherency due to this colour scheme. This is something I need to plan and think about in my film.
I love how the actors are used as components of the drawing and not separate parts, therefore the illustrations react beautifully in synchronicity with the actors. This spider web is a beautiful example of this. This video also shows how each frame does not have to be very intricate, most of the illustrations are very simple but it is how they move which give them the incredible effect.

It may sound obvious but this music video is very responsive to the music, the drums are a big part of this song and this is emphasised by the much more liberated mark making in these frames. 

This part is one of my favourite parts and is expertly cut, these almost touching hands flash on screen alternatively on each frame. They are so close yet are on completely separate frames, it is a wonderful example of how by playing with frame rate you can bring together disparate elements and create a connection, as if bringing two actors together who are in different worlds. 


Something I am really interested in is reducing forms down to the simplest of lines and therefore adore this still. The lines are so elegant and move so beautifully, I would argue you could remove the actors from beneath, I think their shadows detract from the character of the lines.

This still is fabulous because it looks like the illustration is casting light on the actress. It is almost like Gustav Klimt has drawn a moon around her head, but it also looks like a halo. I really love how animator has drawn all these contexts together meaning his illustrations around her head reveres her and presents her as something special. This just shows the importance of good storyboarding, obviously before filming the directors had a very clear idea about the frames and their illustrations.

The variety of the illustrators really adds to the character of the film, it is captivating how it moves from extensive free illustration to the most delicate enclosing line. I think this frame is beautiful, the man in an almost foetal position and this light plant like line grows and over him as if forming a little cave. It is a very intimate moment which is further contributed to by the spotlight creating dark edges of the frame, therefore the man is not only enclosed by the stem but also the light. It is really conjures up this feeling of safety and tranquility.

I am coming to the conclusion that this is one of the creations that I wish I had created. These simple lines stemming from his fingers around her body just illustrate the ideas of support and encompassing love so simply. It is a dramatic still but it is made more intimate by these lines which do not detract from the artistry of the pose, but compliment.

Why use this 9 window screen effect? What does it achieve? I think it exaggerates the flickering effect of stop motion, the actor flashes like a strobe light and becomes a visual effect. I think it is a really interesting idea manipulating the imagery of an actor into a pattern or animated sequence like you would a piece of clay, and removing the focus from the person.

This illustration is really effective as well, the lines radiating from her fingers visualising that feeling a connection spreading and seeping into him. The illustrations form this great connection between the anatomy of a human and the intangible emotions by visualising both together.

You can actually 'animate' the video yourself, by dragging left or right you can move the actors in different directions : http://www.carryme.tv
This is a really good marketing idea to get people involved in the video and it is something that I have not seen before. 


Beyonce the Feminist?

With the release of Beyonce's new album featuring samples of Chimamanda Ngozi Adichie's TED talk on Feminism, Beyonce was hailed as an empowered feminist of the music industry. But is this actually true? Can you be a feminist but still wear hot pants on stage? Has motherhood influenced this change?
I believe that you can be a feminist and still wear sexually provocative clothes, but it must be about empowering herself as a sexual being and not becoming a sexy object. This is a very difficult line to tread which I think Beyonce tight rope walks very well most the time. It is the media which blur this distinction often reducing her to her outfit and body by describing her as sexy and focusing their coverage on her appearance not her talent. But just because this is the state of things does not mean that Beyonce should cover up, I think encouraging women to cover up to stop sexual objectification is just as damaging. We need to change this social order not bend to survive in it.
 The Telegraph suggested that it was Beyonce's new role as a mother that has bought out this new found feminism in her. Indeed if I had a daughter I would be terrified about the damaging effects of this society and what it could develop into in 20 years. I think this is an interesting idea that now sexual objectification becomes personal because it is not just herself she needs to protect. I think this makes people think about what sort of society they would want their daughters to grow up into. How would they want their daughters treated? 
However whether Beyonce is a feminist is still undecided to me. This is Flawless:




I'm bout that H, town coming coming down
I'm coming down, drippin' candy on the ground
H, H, Town, Town, I'm coming down
Coming, coming down, dripping candy on the ground
[Verse 1: Beyonce]
I know when you were little girls
You dreamt of being in my world
Don't forget it, don't forget it
Respect that, bow down bitches (Crown!)
I took some time to live my life
But don't think I'm just his little wife
Don't get it twisted, get it twisted
This my shit, bow down bitches
Bow down bitches, bow bow down bitches (Crown)
Bow down bitches, bow bow down bitches (Crown)
H Town bishes
H, H Town vicious
I'm so crown crown, bow down bitches
I'm out that H, town, coming coming down
I'm coming down, drippin' candy on the ground
H, H town town
I'm coming down
Coming, coming down
Drippin' candy on the ground
[Verse 2: Chimamanda Ngozi Adichie]
We teach girls to shrink themselves
To make themselves smaller
We say to girls
"You can have ambition
But not too much
You should aim to be successful
But not too successful
Otherwise you will threaten the man"
Because I am female
I am expected to aspire to marriage
I am expected to make my life choices
Always keeping in mind that
Marriage is the most important
Now marriage can be a source of
Joy and love and mutual support
But why do we teach girls to aspire to marriage
And we don't teach boys the same?
We raise girls to each other as competitors
Not for jobs or for accomplishments
Which I think can be a good thing
But for the attention of men
We teach girls that they cannot be sexual beings
In the way that boys are
Feminist: the person who believes in the social
Political, and economic equality of the sexes
[Verse 3: Beyonce]
You wake up, flawless
Post up, flawless
Ride round in it, flawless
Flossin on that, flawless
This diamond, flawless
My diamond, flawless
This rock, flawless
My rock, flawless
I woke up like this
I woke up like this
We flawless, ladies tell 'em
I woke up like this
I woke up like this
We flawless, ladies tell 'em
Say I, look so good tonight
God damn, God damn
Say I, look so good tonight
God damn, God damn, God damn
Momma taught me good home training
My Daddy taught me how to love my haters
My sister taught me I should speak my mind
My man made me feel so God damn fine
[Verse 4: Beyonce]
You wake up, flawless
Post up, flawless
Ride round in it, flawless
Flossin on that, flawless
This diamond, flawless
My diamond, flawless
This rock, flawless
My rock, flawless
I woke up like this
I woke up like this
We flawless, ladies tell 'em
I woke up like this
I woke up like this
We flawless, ladies tell 'em
Say I, look so good tonight
God damn, God damn
Say I, look so good tonight
God damn, God damn, God damn
I'm Flawless


From these lyrics I'm a bit dubious, 'bow down bitches' grates quite a bit. Are we supposed to be bowing down to her or to the patriarchy? I'm not quite sure, regardless surely an 'empowering feminist lyric' should be more about 'standing up bitches.' Bitch is a word that I find quite problematic too, there is the argument that by using it she is taking control and redefining it but I argue that it is a derogatory term that is too widespread already, I believe it is beyond redefining. If Beyonce is using it to refer to women, then surely it makes it alright for men to use it against us still? This idea that you are always flawless and perfect is good for body positivity but as this is the main argument for female empowerment it offends as she is furthering the idea that a woman's appearance is paramount. Overall I am not convinced that Beyonce should be celebrated as a feminist because as much as I love her, she still furthers the social order of female objectification.



The Me Bird

This short film is inspired by this poem by Pablo Neruda:

The Me Bird

I am the Pablo Bird,
bird of a single feather,
a flier in the clear shadow
and obscure clarity,
my wings are unseen,
my ears resound
when I walk among the trees
or beneath the tombstones
like an unlucky umbrella
or a naked sword,
stretched like a bow
or round like a grape,
I fly on and on not knowing,
wounded in the dark night,
who is waiting for me,
who does not want my song,
who desires my death,
who will not know I'm arriving
and will not come to subdue me,
to bleed me, to twist me,
or to kiss my clothes,
torn by the shrieking wind.
That's why I come and go,
fly and don't fly but sing:
I am the furious bird
of the calm storm.


The beauty and delicacy of this animation is truly inspiring. The layering of the frames really draws your eyes in and becomes quite mesmerising, it is very successful in keeping the viewers connected and I think this is because everything flows from one frame to another. This is something I will have to consider when trying to merge different types of animation together.

The colour scheme also helps making this animation really successful, the pastel shades flickers and marks the difference between each frame. Therefore we can see the echoes of her past movements which create a beautiful wave effect going backwards. In the animation I have been looking at, I have really liked when the character is not the only thing endowed with movement, I love it when the whole animated world tingles with movement. 


The use of light is also really well thought out for example in this scene, the frames become more like prisons enclosing her. Therefore the pastel colours fade to grey and shadows are drawn in from the edge, this really helps emphasise the tone. 

The change of camera angle makes the viewing experience more encompassing, you feel like you have a better understanding of the scene and character. 

I really like this merging of real film footage with animation and this is something I really need to experiment with. Here it works so well because as she escapes her prison her mind is free and clear.

This is another example of an interesting transition, however I think it is less successful than the others; mostly because they have retained the frame edge on the right which chops the girls silhouette. I think this disrupts the graceful lines and would have felt smoother if she had just run off the frame. 


The mountainous backgrounds in this piece are stunning, they look like pieces of fine material and create a soft cloud like texture. I think it is interesting how they have used different tactile materials to create textures when computer animating. I think they wanted to create an approachable style that seemed familiar and inviting.


I think one of the reasons this animation works so well is the continual theme of the frames, which only melt away at the end when she is free. I really need to think of creating an overall theme that will tie all these different styles together and keep it really fluid.


The last frames are of a single bird flying away, a symbol of freedom and also of peace. I think the animator is trying to visualise the feeling of peace you feel once you free your mind and liberate yourself to other possibilities.  

Will Kim - Art In Motion

I have been following Will Kim's tumblr for a while now because I love the vivacity of his animations. I think he has a really clear style that is really appealing due to the contrasting colours and the almost flamelike nature of the flickering frames. I've chosen my four favourite to look at:


This is something I have experimented with so it excites me to see this one of Will Kim's. He has taken stills of himself washing his brush and painted and drawn over, as if his hand itself is becoming part of the work of art. The shadowy hand that reaches from the bottom raises questions, who or what is it? I think it could be that self doubt that creeps up when you are working. I think the colours he has chosen really compliment the original photograph, with the blue deriving from the tshirt and the greens from the paint pot, and this is something I should think about when editing my frames. 


Will Kim works a lot with watercolour producing wonderful movement, I think the free brush strokes are really successful in creating vivid ephemera. It really inspires me to work with more abstract shapes and colours, I want to experiment this week.


I've seen animation like this but I like this one especially as it becomes progressively darker. This technique would work really well with my subject matter and is something that I need to experiment with this week. I wonder whether this is made from individual paper frames or a stop motion animation.  I think it is stop motion as it looks layered and has echoes of the last frames. 


This is just so cute, it is executed so simply and in this way it conveys so much joy. I love the glitter explosion and this is something I should play with, combining 2D drawn and stop motion techniques. The best thing about Will Kim's work is how playful it is, he is continually playing with new ideas and techniques and this is something I can really aspire to.